|
|
|
|
|
|
|
|
|
|
RED BEETS AND HORSERADISH is inspired by a relish or side-dish usually served around the holidays of Easter or Passover by various ethnicities of Eastern Europe. For the Serbs, for example, the red of the beets is symbolic of the blood of their people, and the horseradish the bitterness of their suffering. For others, the symbolism involves the blood of their savior and the bitterness of His suffering. People in the Jewish tradition also enjoy the dish, but there is no blood involved—the beets are merely for flavor—but the horseradish does represent the memory of bitter suffering in bondage.
The songs on the album involve vignettes and portraits of people who’ve suffered—old people, sick people, crazy people, people who are alone—but the heart of the songs lies not in the suffering of the characters but in the indomitable faith and humor that sustains them.
The introductory track to the album, Rise, sets the tone and theme of the collection with a folksy and upbeat ballad that offers promise straight up in the face of adversity:
Rise from your slumber
Days without number
Wait for you
Shake off your losses
So many causes
to put your shoulder to
It’s time to mend
Time to turn the next bend
We depend on you to harmonize
so Rise
Rise
Next comes the song, Lovingkindness, which begins with a harmonica intro hook that blends into a pleasing and catchy melody accentuated by lyrics that glorify the personal praise and testimony of a soul grateful to the God of Creation who is fearsome yet loving and kind to those who He has purchased through His sacrifice on the cross in Christ Jesus.
The third track, Palms & Crosses, picks up the beat somewhat with the drums and electric guitar sounds, and it is a song that seems a bit ironic regarding our Lord's passion at Calvary:
One week palms, joy and praise,
Hearts are lifted, voices raised
Next week nails and crowns of thorns
The mother of God herself will mourn
The chorus line to the song is my favorite: "All I know is that tomorrow will decide what yesterday means!" And it's a good application of gospel doctrine that should be exercised by every believer who walks in faith and not by sight.
My friend lives in a deserted mine,
He wears brokenness like a cloak.
My friend lives in a deserted mine,
He wears brokenness like a cloak.
My friend lives in a deserted mine.
Tonight, we walk to the quiet shrine
The moon settles onto my upturned palm
With a brilliant dusting of snow.(A brilliant dusting of snow.)
Some days the best I can do Is clear a path for light.
Heaven Was Open, is a song that speaks of "seeing the light" and offers a comparison between unseen spiritual realities and the fallen visible world and the Lord is to be praised for this eye opening experience (of course).
Old Hundredth, is partially based on an old Isaac Watts hymn with modifications and is probably my favorite track on the prolific album which totals thirteen songs. It is modern and moving with timeless words of strength and encouragement:
Eternal are Thy mercies, Lord
Eternal truth attends Thy word
Though mist and shadow all around
I’ll set my feet on solid ground
Solid ground, Solid ground
Solid ground
The final song, It's All Between Me and God, is a great outro song to the album that makes anyone who has spent time plying the path to eternity to pause, look out the window and reflect upon the wonderful (and sometimes frightening) aspects of salvation. And in the final analysis, this might be a good way to sum up the concept behind the entire collection of Red Beets and Horseradish -- a thoughtful musical journey through trials and tribulations of both a personal and social nature that keenly reflect the Christian experience. Do give a listen!
CLICK HERE TO ORDER A COPY OF THE CD!!!
RED BEETS AND HORSERADISH is inspired by a relish or side-dish usually served around the holidays of Easter or Passover by various ethnicities of Eastern Europe. For the Serbs, for example, the red of the beets is symbolic of the blood of their people, and the horseradish the bitterness of their suffering. For others, the symbolism involves the blood of their savior and the bitterness of His suffering. People in the Jewish tradition also enjoy the dish, but there is no blood involved—the beets are merely for flavor—but the horseradish does represent the memory of bitter suffering in bondage.
The songs on the album involve vignettes and portraits of people who’ve suffered—old people, sick people, crazy people, people who are alone—but the heart of the songs lies not in the suffering of the characters but in the indomitable faith and humor that sustains them.
The introductory track to the album, Rise, sets the tone and theme of the collection with a folksy and upbeat ballad that offers promise straight up in the face of adversity:
Rise from your slumber
Days without number
Wait for you
Shake off your losses
So many causes
to put your shoulder to
It’s time to mend
Time to turn the next bend
We depend on you to harmonize
so Rise
Rise
Next comes the song, Lovingkindness, which begins with a harmonica intro hook that blends into a pleasing and catchy melody accentuated by lyrics that glorify the personal praise and testimony of a soul grateful to the God of Creation who is fearsome yet loving and kind to those who He has purchased through His sacrifice on the cross in Christ Jesus.
The third track, Palms & Crosses, picks up the beat somewhat with the drums and electric guitar sounds, and it is a song that seems a bit ironic regarding our Lord's passion at Calvary:
One week palms, joy and praise,
Hearts are lifted, voices raised
Next week nails and crowns of thorns
The mother of God herself will mourn
The chorus line to the song is my favorite: "All I know is that tomorrow will decide what yesterday means!" And it's a good application of gospel doctrine that should be exercised by every believer who walks in faith and not by sight.
My friend lives in a deserted mine,
He wears brokenness like a cloak.
My friend lives in a deserted mine,
He wears brokenness like a cloak.
My friend lives in a deserted mine.
Tonight, we walk to the quiet shrine
The moon settles onto my upturned palm
With a brilliant dusting of snow.(A brilliant dusting of snow.)
Some days the best I can do Is clear a path for light.
Heaven Was Open, is a song that speaks of "seeing the light" and offers a comparison between unseen spiritual realities and the fallen visible world and the Lord is to be praised for this eye opening experience (of course).
Old Hundredth, is partially based on an old Isaac Watts hymn with modifications and is probably my favorite track on the prolific album which totals thirteen songs. It is modern and moving with timeless words of strength and encouragement:
Eternal are Thy mercies, Lord
Eternal truth attends Thy word
Though mist and shadow all around
I’ll set my feet on solid ground
Solid ground, Solid ground
Solid ground
The final song, It's All Between Me and God, is a great outro song to the album that makes anyone who has spent time plying the path to eternity to pause, look out the window and reflect upon the wonderful (and sometimes frightening) aspects of salvation. And in the final analysis, this might be a good way to sum up the concept behind the entire collection of Red Beets and Horseradish -- a thoughtful musical journey through trials and tribulations of both a personal and social nature that keenly reflect the Christian experience. Do give a listen!
CLICK HERE TO ORDER A COPY OF THE CD!!!
And now the gates are open wide!
Martyn Lloyd-Jones Click here to listen to sermon A Sermon on Jeremiah 2:20-22 “For long ago I broke your yoke and burst your bonds; but yo...